Wednesday, November 24, 2010

FEETURING AGM CONVERSATION SERIES: “ON DIALOGUE”


During the upcoming Cairo Biennale, AGM will coordinate a recorded conversation between curators, artists and cultural producers.on the 16th December 2010. This one day session will focus on social and geo-political topics relevant to the Mediterranean region, opening up to some tactics for producers and audiences to employ via modes of aesthetic journalism, ficto-criticism and political fictions. Having recently interrogated the nature of collective production and collaboration as part of Chamber of Public Secrets’ contribution to Manifesta 8, AGM wishes to expand on this to address the term “dialogue”. If, as in the realm of cultural diplomacy, dialogue is to be understood as a reciprocal act and as a prelude to collaboration/cultural understanding, then the session asks: who sets the terms of dialogue, where is it enacted, how does it function and what are its inherent asymmetries? More specifically, we hope to delve into the realm of questioning the instrumentalisation of “dialogue” in contemporary art and institutional practices as well as on the geo-political scale. This session will be disseminated through attendee’s networks and on agmculture.org.

The AGM Conversation Series brings together, in different configurations and venues, artists, curators, thinkers and contributors variously involved in processes of "knowledge production" via art, media, research or other forms of critical engagement. Adopting AGM’s itinerant format, these sessions seek not only to assess the “state-of-play” at various moments in the lead up to the exhibition or research process in which they are involved at that time, but to continue discussions around thematic that are central to their approach and productions.

A significant feature of the Conversation Series is that they have taken place in semi formal settings, requiring no audience but a camera and an amassed group of participants. They sit somewhere between the formal setting of the commonly used artists talk /seminar format and the informal nature of social/networked conversations between arts practitioners and producers. The sessions provide an open forum for sharing and exchange with no underlying pretext but to consider the current state of affairs.

The edited versions of the AGM Conversation series are distributed online through open networked communities such as Facebook, Vimeo, LinkedIn, Flickr, Twitter and also on agmculture.org.

Participants

Khaled Ramadan (Lebanon, Finland & Denmark) Alfredo Cramerotti (Italy & UK) Hannah Conroy (UK) Yesomi Umolu (UK), Khaled Hafez (Egypt), Aida Eltorie (Egypt & USA), (Dermis Leon (Spain), Achilleas Kentonis (Cyprus) Patrizio Travagli (Italy) Giuseppe Moscatello (UAE), Alexandre Gurita (France), Michael Thoss (Germany), Heike Mertens (Germany)


Sponsors/Supporters

Allianz Stiftung
European Union House of Delegation Cairo-Egypt


ABOUT AGM CUTURE

AGM Culture is a curatorial project with some of the inbuilt features of a parasite. Each time, by changing partner, location, form and content, its primary focus is to explore the peculiarity of the hosting body – be it a site, an institution or a theme. Previously, AGM has explored new modes of knowledge production within art and the media in Austria, Canada, Denmark, Italy, the Netherlands, the U.K. and in the Web space.



Image credit
Nottingham Contemporary, 15 July 2010
"On Translation"
"On Translation" saw the participation of Michael Takeo Magruder, Fay Nicolson, Nada Prlja, Alfredo Cramerotti, Yesomi Umolu, Hannah Conroy, Jeffery Baker

Wednesday, November 10, 2010

FEATURING NEW LIFE RESIDENCY


Last Saturday, November 6th, saw the last opening of the NEW LIFE RESIDENCY at the Manifesta 8 biennial for contemporary art in Murcia, Spain.

The final Wooloo New Life Resident artist was Gema Alava in collaboration with her blind partner Rocío González from Murcia. Gema is a native Spaniard and for her residency project, she developed verbal descriptions of artworks on view in Manifesta 8 for Rocío to “see”.

During the opening on Saturday, Gema's descriptions were then passed on to the visiting public by Rocío during one-to-one walks inside the physically empty and dark space. These intimate, guided tours worked very well and became a suitable finale to five consecutive weeks of extremely different and interesting residency collborations.

We would like to thank all the participating artists Helidon Gjergji, Clarinda Mac Low, Matthias Neumann, Pedro Guirao and Gema Alava, as well as their wonderful assistants Cristina Martínez Roldán, Maria Jesús Cascales, Patricia Carrillo, Maria Jesús Ballesta and Rocío González for taking part in making this experiment happen.

Also, a special thanks goes to Mikkel Rosengaard, Giovanni Saladino and the entire Manifesta 8 team for their professionalism, skill and hard work. Without your efforts, there would have been no NEW LIFE RESIDENC!

Lastly, we want to bring your attention to some of the things, that have so far been written about the project...

READ ART IN AMERICA'S ARTICLE or practice your German with MONOPOL'S REVIEW of Manifesta 8 and Wooloo.

And if you did not already read Artforum's interview, HERE IT IS AGAIN.

You can read more about the NEW LIFE RESIDENCY HERE.

Wednesday, November 3, 2010

WOOLOOPICK OF OCTOBER


We are happy to annouce that Igor Toshevski has been voted WoolooPick of October by the WOOLOO.ORG community and our many viewers.

Igor was born in 1963 in Skopje, ex-Yugoslavia, where he began his artistic career as a creator of comics for magazines in the late 1970's.

Throughout the 1980's, Igor was an active member of several local art groups in what would become the Former Yugoslav Republic of Macedonian, including the Zero group. It was as a member of Zero, that he made his first object paintings.

Meanwhile, he moved to Finland to study and graduated in printmaking from the Kuvataide Academy in Helsinki in 1988.

After his graduation, the focus of Igor's art became more political, as well as diverse in its use of different mediums from prints to film. A good example of his practice, is a work such as “Perfect Balance (30 kilograms of human rights)” from a 2000 group show i Skopje curated by S. Milevska.

“Perfect Balance (30 kilograms of human rights)” is an installation consisting of a
dozen scales and approximately 30 kilograms of documents retrieved from United Nations, Amnesty International and other human rights organizations dealing with victims of torture, missing people and minority reports.

You can see more of Igor Toshevski's artwork on his WOOLOO.ORG profile (link to wooloo profile)

Or go to his websiteto see and read more on his work from films to prints.